Imagine a world where our differences are celebrated as strengths, not weaknesses. Oscar-winning director Chloé Zhao believes we can create that world, starting with how we tell stories. During a recent conversation at the London Film Festival, Zhao opened up about the realities of Hollywood, the challenges of financing meaningful films, and how her own neurodivergence fuels her creative process. One thing is clear: Zhao isn't just making movies; she's advocating for a more inclusive and understanding society.
Zhao's latest project, “Hamnet,” a deeply moving historical drama exploring the personal tragedy that inspired William Shakespeare's “Hamlet,” recently had its European premiere at the festival. The film, starring Paul Mescal and Jessie Buckley, was met with an overwhelmingly emotional response, even drawing a surprise appearance from producer Steven Spielberg. Zhao shared that working on "Hamnet" ignited a passion within her to "rediscover and remember some older ways of storytelling that have been forgotten in our society.”
She elaborated on this, emphasizing the importance of ambiguity in storytelling. “Before we made everything factual and reasonable, there was a time where we’d see stories in different ways – from our dreams, our vision quests, from going into nature and listening to the birds,” Zhao explained. “So the language of ambiguity is, to me, vital for the health of a society. And I think even in Hollywood, in the film industry, we are not very good at preserving the language of ambiguity. If logos and mystery are in harmony, we would be living in a much better world.” Think about it: aren't the most captivating stories the ones that leave room for interpretation, that spark our own imaginations?
But here's where it gets controversial: Zhao acknowledges the constant struggle to secure funding for films that prioritize artistic vision over guaranteed box-office success. While profit isn't her primary motivation, she recognizes the crucial role money plays in bringing these stories to life. And this is the part most people miss... she feels a deep personal responsibility to ensure her investors see a return. "Maybe it’s because I’m Chinese, I don’t know what is it, but I’m so afraid of owing people money. I don’t like it. I don’t like being in debt. I want the people who put the money into my films to get the money back,” Zhao stated. She actively works within budgetary constraints, believing that limitations can actually foster creativity. “I try really hard to get financiers or studios to say, how much are you comfortable giving me so that you can survive as a company, please. And then I’ll do it within that. So I think it’s really helpful because limitations, I promise, are your best friend.” This approach highlights her commitment to both artistic integrity and financial responsibility – a rare balance in the film industry. Do you think more filmmakers should adopt this mindset, even if it means compromising on certain aspects of their vision?
During a Q&A session, an audience member asked Zhao how being neurodivergent has influenced her storytelling. Her response was powerful and uplifting: “I think it’s a superpower, I really do.” Zhao went on to challenge conventional notions of normalcy, suggesting that perhaps the world itself needs to adapt to different ways of thinking and processing information. "I think we’re all on the spectrum of something. Everyone’s brain is so different, so unique – nature and nurture combined. And I find that I question sometimes, is it that I am the not typical one or has our world become a little too inhabitable? Is it too loud, is it too bright, is it too fast?” she questioned. “So I try to not think of it as less or different, but think about if I tune into how I function, then I’m going to create a world, not just on camera, but also off camera that is going to be healthy for me. And those who gravitate towards me like that about me, so that’s probably what they enjoy as well.”
Zhao concluded with a message of self-acceptance and societal contribution: “It’s really important and actually a good service to society for you to honor what you need first because that might be exactly what your environment might need as well.” This statement underscores the importance of embracing our unique qualities and recognizing the value they bring to the world.
“Hamnet” has already garnered significant attention, premiering at the Telluride Film Festival and winning the People’s Choice Award at TIFF. Early reviews, like the one from Variety's chief film critic Peter Debruge, describe the film as "so emotionally raw as to be almost excruciating at times.” Zhao's previous work includes the critically acclaimed “Nomadland,” which won Oscars for best picture and director, making her the first woman of color to win in the latter category. She also directed the Marvel film “Eternals” in 2021, showcasing her versatility as a filmmaker.
“Hamnet” is scheduled for a limited theatrical release in the U.S. and Canada on November 27th, followed by a wider release on December 12th. The film will be released in the U.K. on January 9th. What are your thoughts on Zhao's perspective on neurodivergence as a superpower? Do you agree that Hollywood needs to be more open to ambiguous storytelling? Share your opinions in the comments below!
